Parade, Waveform, Vectorscope and Histogram. Mostly, you’ll probably look at waveform and Parade and use those in conjunction with each other.

These are the main scopes that you’ll use throughout most of your colour grading process. Here we've got Parade, Waveform, Vectorscope and Histogram. It’s also not just important for you, but for anyone else who might be viewing the footage on a different monitor even if yours is high-end, theirs might not be, so it’s important to go by the data rather than by eye. You might not be working on the best monitors in the world, they might not be good calibrated correctly the really high-end colour grading monitors are upwards of $30,000 so most people are probably not using those! So, knowing how to use scopes is really important when it comes to colour grading because it’s actually showing you what’s in your image from a technical standpoint rather than just what you can see by eye. Let’s take a look at them so you can understand what each one does and how to read them.

If you’ve done any post production colouring in Lumetri or Resolve, or if you've done photography, you’ll probably be familiar with a histogram so you’ll have seen scopes before. Scopes can be a little bit intimidating when you first start looking, but chances are you've come across scopes in one way or another if you're capturing video as a cinematographer or videographer. How to Read Scopes in Resolve: Waveform, Parade, Histogram, & Vectorscope DaVinci Resolve Color Grading for Beginners | FREE COURSE

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